Thursday 31 January 2013

The Waiting Room


The Waiting Room blog post

It is easy to take for granted our free health care system as a Canadian citizen. If we were presented with receipts stating the cost of our latest doctors visit paid courtesy of the Government of Canada, I am sure it would put it in perspective just how fortunate we are to live in a nation where visits to the family doctors office feel like a basic inherent civil right. Sure we have our share of problems with the system here in Canada, but have we ever been frustrated enough to consider trading places with our Southern neighbours? The documentary film, The Waiting Room, offers an 81-minute candid journey into the perseverance and daily reality facing patients, doctors and staff caught up in the American healthcare system at the Highland Hospital in Oakland, California. This film offers an insider’s perspective on the inner workings of a health care system that is so different from our own in some ways.

Many young Canadians learn, in the early years of junior high school, the basic fundamental differences between our two healthcare systems and that we are privileged to be living in a nation that will not turn away it's citizens in our most vulnerable moments. The American healthcare system is often a hot topic for debate between Republican and Democratic leaders during election time, which in turn spills over into our Canadian media content. When I hear about the healthcare debates in the U.S I often wonder: how can a nation with an estimated GDP of $15.8 trillion in 2012, according to the U.S National Economic Trends, deny its citizens a very basic right to be treated in the direst times? It was curiosity that motivated me to see Michael Moore’s film Sicko in 2007, to shed light on this issue that is merely 140 km away from my hometown. I thought Sicko was a great and informative journey into the backward policies of American healthcare, but of course some of the messages were extremely dramatized to garner shock-value in true Michael Moore fashion. I appreciated the journey by boat to Cuba too seek health care, it made for great entertainment, but the majority of Americans aren’t travelling in boats making highly dramatized entrances for medical care. You will find most Americans in the countless waiting rooms strewn across their vast nation, many of them nervously waiting with their fate in the hands of their insurance provider, if they are lucky.

This documentary film The Waiting Room covers the very diverse and captivating stories of Americans inter-woven in the system at the Highland Hospital. The documentary is shot in an observational style, often called cinema verité, which presents a reality soaked multiple-character driven account of the many trials facing an un-insured patient in the U.S. health care system. The filmmaker, Peter Nicks, skillfully chooses diverse characters that have very different outlooks and are facing very different situations to color the greater message of the film looking at the broken system in its entirety. I was heavily captivated by each characters story and often pulled into the characters shoes: from a father fearful for his daughters well-being to an elderly man needing dialysis but more accepting to death than another waiting room at the hospital. The filmmaker does an amazing job empathetically connecting the audience to each patients fears and frustrations by offering a strip down bare bones account of their thoughts and reactions to the developments in their medical problems. The sound was predominantly natural ambiance in each setting, which evoked connectivity to the environment, and effectively transported the audience to the sensory surroundings of the waiting room. The film demonstrated journalistic objectivity by showing positivity in the systems as well by showing cheerful staff members trying to make the most of their daily work—the nurse with red rimmed glasses giving a gangster  patient a comical tongue lashing—and also glowing results from patients that had undergone emergency procedures stating the superiority of American emergency room surgeons.

One relation that Canadian and American health care systems share, is the inevitability of wait times. It was shocking in the film when patients of the Highland Hospital were given wait times as long as a month for MRI scans, it was a dramatically highlighted point in the film. In Manitoba, Canada, the average wait time for an MRI at the Health Sciences Centre is 16 weeks according the Manitoba Government's website: a very similar range of time.

In a recent experience of mine at the Health Sciences Centre I was waiting in the emergency room untreated for 7 hours suffering from severe food poisoning. After wait times were pushed back yet again, because of an insurgence of ambulance patients—not un-common for Manitoba—I decided to leave un-treated so I could attend school in the morning. This all-too-common situation allows one to see a common factor between our two systems: that health care is often a safety-net institution. This speculation is also tactfully suggested in the documentary. In fact, most of the patients that were ahead of me on the waiting list at the Health Sciences Centre knew the staff by name.

I wonder if the Highland Hospital has ever had mortality in their waiting room like the tragedy that happened to Brian Sinclair who died while waiting untreated for 33 hours in the Health Sciences Centre. Perhaps the U.S systems has mortality problems of their own. On May.15, 2012, a message was given to physicians by T.R Reid, a notable journalist specializing in healthcare systems, at the 67th annual Ogden Surgical Medical Society conference that stated:

“Roughly 22,000 Americans die every year from treatable diseases because they can't afford to go to a doctor.”

Upon watching the documentary film and experiencing the Canadian health care system for myself, it is evident that each of our healthcare system’s in our affluent nations are far from perfect. But one thing was definitely made very clear by The Waiting Room documentary: the Americans health care system has a long way to go.





Friday 25 January 2013

Signal Path for Guitar Pedals and Audio Effects

Hello Sonic Manipulators

In this blog post I will explore the considerations relating to signal path processing for audio effects predominantly focussing on guitar pedals. Most of us can relate to having that guitar player friend with a 'mission control' looking command centre full of tone manipulating gadgets; however, to chart into original compelling tones you dont have to break the budget to fill your pedal board rack with the latest 'space ship controlling' equipment. Often less is more when it comes to layering effects, because every pedal that sits in the signal path to your amp will color your sound and affect the signal even when bypassed.


Funny, Tom Green, Backwards Man, Original Approach, Hilarious
Source: wodumedia.com, The Tom Green Show.
Before I get into signal path theory, it is appropriate for me to note that many guitar players are diverse in their approach to maximize tone, this is meant to be a guide, so when it comes down to it trust your ears and break some rules. This guide will help you break some rules with confidence. You may hear some killer tones taking the backwards approach!

Quick Theory Note: Think of your signal like a cooking recipe for delcious tones that has an order of operations to achieve concieved results. The order in which you add elements to the chain will be cummulatives in their effect to the final product (the sound that comes out of your amp.)

Choosing the Input path for your effects:

If your guitar amp is fitted with an effects sends and return signal chain I would highly suggest using this path for your pedal board; this option will allow you a clean direct signal for your over drive and clean channels allowing you to dis-engage your pedal board if you choose to use amp direct FX. You can also use the effects channel as a boost for solo'ing with solo specific effects or simply just dry (without FX).

Pedal Board, Amazing guitar pedals
Courtesy of louisvillemusic.org


First up in the signal chain!


Tuning Pedals: I always recommend using the guitar tuner for the first pedal in your signal chain. Tuners work most accurately with a clean signal that is not colored by additional effects.

Wah Pedals and Filters: These guitar effects are triggered dynamically by signal attack so it would make the most sense to add them here in the chain.
Wah Pedal, Cry Baby, Great tone
Courtesy of MusiciansFriend.com
Compression: Compressing your signal hear will allow the effected signal to reach the other effect pedals with optimal signal levels, maximizing the clarity of FX down the signal chain. This is a great way to tame the swellls that come out of your Wah pedal so they are sweet and not over bearing.

Over-drive and distortion pedals: 

These mighty pedals will colour your sound with gritty heavyness and additional gain; further, they add harmonics to your signal that can really add complexities travelling through the rest of your effects.

Modular FX section:

This section of the pedal board is highly objective and can influence your tonality in many diverse ways, which complete is dependant on the sort of style you are hoping to achieve. The pedals have the most character in this place of the signal chain. Modulation pedals such as: Flanger, Chorus, Phaser Etc.

Last in the signal chain:

Delay: This is the optimal spot for delay units. Having the delay record (and play back) all the elements of your tone from your pedals at this stage, will ensure that you dont loose any characteristics from your other pedals in your delayed sounds. If you engage the looping trigger—that many delay pedals are equipped with these days—You can shift gears into your distortion pedals for solo without affecting the looping signal.

Reverb: Reverb pedals are spatially constructing your guitar tones final image, it always sounds the best at the end of your signal chain. Feeding a reverb signal through all the rest of your pedals is a sure way to "muddy" up your sound. The spacial response from the reverb pedal at the end of the chain will react brilliantly with volume pedals and other pedals that manipulate the signal amplitude of your guitar tone.


Get out there and Experiment fellow axe slinger!

new guitar pedal. DD-20, Boss
Courtesy of Boss
This is a starting point so get out to your jam space and experiment with your tone using these tried and true tips to maximize your guitars euphonic qualities.

All this writing about guitar pedals has seriously motivated me to grab a new pedal myself today. I am gonna go buy me the Boss DD-20 Digital Delay unit. I'll post on how it works in my rig next week. Cheers!












Sunday 20 January 2013

New CreComm band!

Good evening

I have really been itching to start a new band and play some shows since I moved here from Calgary two years ago and left my former band.



Graeme Csath, FLI, Calgary Hip-Hop, Frontline Infantry, Musicians, Beatbox, live
Former band FrontLine Infantry
The last band I played guitar in was really gaining some momentum and we were starting to headline some great shows; but unfortunately two of the band members moved to Vancouver for work, and shortly after I moved to Winnipeg for film work.

I have been keeping busy as a session guitar player since being in Winnipeg collaborating on tracks with Selektah Coda, DJ Tubescreamer and many other comrades in the electronic music       scene, but I've really been hoping to take it out of the studio and back on to the stage.

Verns, Live beatbox, Calgary, Dubstep, Dubstep band, Dubstep Mashup, Calgary Hip-Hop
Former band FrontLine Infantry
I discovered that my motivations were shared with CreComm pals, Nolan and Logan. After some discussion about starting up a music project but lacking a place to practice with a live drummer, I began searching for a rehearsal studio. I did a ton of shopping around and started getting the word out to many collective local music organizations that we were looking for a good secure artistic space. My close friend and drummer for the band, Nick Hook, mentioned that his buddy Tom was renting a commercial studio space on Erin street and they currently had an opening that was spacious and secure. Without much delay we booted down there, took a brief tour and then signed the lease! This character space is a former bus depot that apparently has become haunted after a band-saw broke in the repair station and killed 4 people—perfect for some ghastly guitar riffs!



It was officially ours that night, so we celebrated our new piece of dingy real-estate by hauling all of our gear to the location on the worst possible evening ever: During that furious blizzard last week. For those of you who have never experienced natures fury in the form of a Winnipeg blizzard, trust me, it's definitely a devastating occurrence. We could have delayed the move a couple days for the on-slaught of snow to pass, but we decided to haul the massive Pearl drum kit, guitars and amps in the middle of being ruthlessly bombarded by winter turbulence. Not even mother natures icy wrath could keep us from making noise that night. So we had a great first jam and our sounds peaked interest of bands renting studio space around us, which are 3 other groups. Our closest neighbors are this hip-hop group with a band name coined from the room in which they reside, Rm.220, which they have converted into a hip-hop production studio, hang-out space and basketball court. We have been there a couple times now writing original heavy rock tunes and providing 16 bar funky flavors for our hip-hop neighbors for MC battles. If you cant make out the lyrics, then you can trust me that it was good clean fun that night. I will be posting songs as we record them in the upcoming weeks. Cheers!


Friday 11 January 2013

Gathering at Mid-Can's Studio

Hey all

It was a very rare event that happened on Tuesday, January 8th @ Mid-Can's production studio: An email was sent out to central Canada's small elite crew of unionized audio engineers for a free pizza and beer gathering to sample some new audio products entering the market for the first time—let me just say, if your looking to get a crew of sound guys together, that's how to do it!

We all made our way into this world class facility and into the production studio that was suited up with chairs, 50 inch plasma screen T.V's playing a Led Zeppelin concert for their rock'n roll hall of fame induction, and a couple of cold ones on ice. Since the Sound Department Caucus of Manitoba is a relatively small collection of specialists (roughly 20 members) one would make the assumption that we all would have known each-other quite well. This is true for some of us (especially the veterans) but for many of us we have heard many mentions of each-other but never actually met face to face—this shocked and amazed all of us, especially Mid-Can's rentals manager Kelly Dodds!

So we enjoyed a couple "wobbly pops" as the old timers there call ice cold beer and we began to watch an operation video for Sound Devices new 664 record unit.

I have been a big fan of Sound Devices portable recorders for a long time now, they are my go-to most reliable field recorder for working on documentary or drama films. The 664, however, is optimized for many channels of un-scripted dialog, which is perfect for reality T.V!

We all got a chance to fiddle around with the settings while the video was playing tricks and tips in the background but Kelly was sure to tell us "greasy scum-bags" to wash our hands before pushing any buttons!

The evening was really fantastic, I got to catch up with some of the veteran sound mixers that mentored me and really taught me everything I know when I was fresh out of college many years ago when I was a young entry level audio engineer. I am really grateful for all of the experiences I have had working with them, they have all been really positive and constructive.

The thing with the Sound Department, is that we are relatively small crews usually 2 or 3 of us on a team for many films, so most of us just know the small sound teams we continually work with. This was a great meet up of long time collaborators pushing out serious quality out of Manitoba ensuring great sounds make it to the worlds stage. I am really glad that we all posed in the picket line for a photo opportunity at the end of the night, I really quite like the caption: "Central Canada's audio engineers, I'm sure you've heard us!"